The table below summarizes the add-on fonts that can be purchased as font packs with Hatch Personalizer, Hatch Composer, and Hatch Digitizer. No fonts are included with Hatch Organizer. To purchase any of these font packs, see Hatch Font Packs.
Font pack |
Description |
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1 |
Script fonts can give the look of handwriting to your embroidery designs. This is one of the hardest fonts to stitch well. The package contains three sets of script fonts that have been professionally digitized for your casual to elegant embroidery projects. Stay within the recommended sizes for best results. To purchase this font pack, see Font Pack 1 - Script. |
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2 |
We can never get enough fonts for beautiful and unique monograms. This collection of 4 fonts gives you unique medallion type monograms, crisp and clear monograms and an appliqué pack that makes great monograms for the sportsman. A great mix of small and larger fonts which work great in both upper and lowercase. To purchase this font pack, see Font Pack 2 - Monograms. |
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3 |
Sans Serif fonts are amongst the easiest to read in embroidery. Add these fonts to your lettering and monogramming selections. Each one has been professionally digitized for use with keyboard entry. To purchase this font pack, see Font Pack 3 - Sans Serif. |
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4 |
Looking to do some home décor? This collection of professional embroidery lettering will add a touch of class. Arial Rounded Block gives you the modern look. Empress is great for a slanted look without going script. Border Block 2 is an upper-case font using a two-color block. To purchase this font pack, see Font Pack 4 - Décor. |
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5 |
Not your everyday boring fonts. Helvetica Sm is fantastic when you need a very small block font or writing text. City Script is a modern and slanted script great for larger size letters. It includes both upper and lower-case letters. Reduce the slant to zero in Hatch and make it a straight script too. Dauphin is a favorite fancy block style and amazing for special gifts. All fonts come in both block and script style. To purchase this font pack, see Font Pack 5 - Special Occasions. |
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6 |
Add puffy foam fonts to your designs and your casual projects are sure to go ‘pop’. If you want to add 3D embroidery lettering, all you need is some puffy foam and 3D embroidery fonts to get started. Almost any design can take on new life by adding foam beneath for extra dimension. The fonts in this collection are specially digitized for use with puffy foam. To purchase this font pack, see Font Pack 6 - 3D Puffy Foam. |
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7 |
Block fonts are the ‘go to’ font style that works almost everywhere. These fonts are easy to read with a choice of bold, thin, or font outlines that work for any situation. Change the stitch type to embossed fill to give your block lettering a unique identity. Included in this collection are traditional block, modern block and outline. To purchase this font pack, see Font Pack 7 - Block. |
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8 |
Fancy fonts add a little more creativity to your projects. They are fun to work with and excellent for home décor projects. This collection of fonts gives you a wide variety of options that will go with today’s décor all around your home. To purchase this font pack, see Font Pack 8 - Fancy Fonts. |
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9 |
So often we need a slightly taller font but we want to keep it thin. The Tall & Thin font collection provides three fonts that provide just that. It’s a great group of fonts for wall art and especially for monograms. To purchase this font pack, see Font Pack 9 - Tall & Thin. |
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10 |
Small scripts! That’s what the Script #2 font collection is all about, providing a variety of script fonts that can be stitched at ½” and still be readable. To purchase this font pack, see Font Pack 10 - Script #2. |
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11 |
This collection provides four new fonts for use with foam. You’ll enjoy using these on hats, wall art, and other projects that need that 3D look. To purchase this font pack, see Font Pack 11 - 3D Puffy #2. |
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12 |
A collection of modern satin script fonts that ressemble handmade calligraphy. Includes fonts that will work for small, medium, or large letters. You can use this collection for towels, baby items, personalizing, and initials. It will become one of your ‘go to’ font packs. |
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13 |
This is a collection of satin fonts from the Monoline style of fonts. These share the same thickness throughout. Included you will find fonts for outlines, background swirls, and even a small flower with uppercase letters. |
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14 |
A collection of modern lettering that provides an elegant but relaxed look. You’ll find font styles from futuristic to fun and playful in this collection. |
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15 |
Three looks using satin stitch come together in this collection. Bold, slanted, or plain modern block fonts, these can be used with small height lettering. You’ll find many uses for this collection in your small projects. |
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16 |
If you are looking for an organic style of font, this collection is for you. Traditional block lettering, a decorative flared stroke, and a taller font with a ‘slim’ look, you’ll find them all in this collection. |
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17 |
This collection brings you three fonts that are simple, clean, bold, and easy to read. Works well for medium-small to medium size lettering. |
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18 |
As the name suggests, this collection of fonts is fun to use. They give your lettering a handwritten appearance. While you will love using them around Halloween, you’ll find yourself using them throughout the year. |
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19 |
This collection offers bold to semi-bold fonts with or without a little flare. Great for children’s projects. Also good for medium size lettering where you want to maintain a bold look. |
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20 |
While these fonts have ‘medieval times’ written all over them, you’ll find yourself using them in many projects. They work well for classical Irish projects to provide a handwritten look or decorative sharp corners. |
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21 |
Clean and easy-to-read, this collection offers a brush style font, a font that looks good on multiple lines of text, and a narrow satin stitch font that looks good in all uppercase letters. |
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22 |
This collection is perfect for projects where you only want letter outlines without the fills. |
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23 |
This collection is a favorite. Elegant and bold, the name says it all. The script font provides an elegant hand-drawn look that is bold but not too bold and easy to read. A bold serif font with a slight slant is good for medium height lettering. To round this pack out, we have added a vintage slanted semi-bold script. |
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24 |
Everyone likes the classic traditional font but still wants to keep it bold. Centurion works well with multiple lines of text at least 17mm in height. Use a 15-degree slant on Civic to expand the look of this font. Wild West is fun to use for wall art and saying with that western look. |
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25 |
This collection brings together a semi-serif font with a clean, bold, and contemporary look, a modern style serif font, and a fancy, yet modern script font. |
The lettering join method is preset to give the best results for each font. Options include:
Join method (JM) |
Purpose |
|
Bottom join |
BJ |
Letters are joined along the baseline. Use it when stitching on toweling – joins are hidden in the pile. |
Closest join |
CJ |
Letters are joined at the closest point. Use it to minimize trims. |
As digitized |
AD |
Letters are joined as they were digitized. Use it with fonts combining different fill stitch types or special effects. |
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Rec. sizes |
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Font |
Sample |
Min |
Max |
JM |
Use |
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in. |
mm |
in. |
mm |
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Eliza |
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1.4 |
35 |
2.2 |
55 |
CJ |
When you need a wide baseline font with a larger size range. |
Handy Script |
|
0.8 |
20 |
2.0 |
50 |
CJ |
When you need a narrow baseline. Use for medium size letters. |
Memo Script |
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0.4 |
10 |
0.6 |
15 |
CJ |
Easy-to-read script for small to medium size letters. |
Font Pack #2: |
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Henriksson |
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4.0 |
100 |
5.1 |
130 |
AD |
Designed to be used as single medallion type lettering. Uppercase only. Great for a monogram with fancy scroll effects. |
Microscan |
|
0.3 |
8 |
1.0 |
25 |
CJ |
Crisp and clear letters for small size fonts and a narrow baseline. Includes upper and lowercase letters and numbers. |
Glory Appliqué |
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1.2 |
30 |
1.6 |
40 |
AD |
Uppercase alphabets and numbers to use as appliqué or not. Medium to tall size letters. |
Lydian |
|
0.5 |
12 |
1.0 |
25 |
CJ |
Uppercase and lowercase letters. Great for small letters such as initials on collars or cuffs. Add a slight slant in the software and almost create a calligraphy look. |
Font Pack #3: |
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Architect |
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0.5 |
12 |
1.4 |
35 |
CJ |
Small to medium size with a narrow baseline. |
Flares |
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0.3 |
8 |
1.0 |
25 |
CJ |
When you need a bolder but narrow baseline. Has a slight ‘flare’. Designed to stitch well when smaller letters are needed. |
Utility Block |
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0.4 |
10 |
1.1 |
28 |
CJ |
When you need a bold and wide baseline font with a large size range. |
Font Pack #4: |
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Arial Rounded |
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0.4 |
10 |
0.8 |
20 |
CJ |
This is perfect for a modern look. |
Empress |
|
0.8 |
20 |
1.4 |
35 |
CJ |
Perfect for a fancy slanted look without a script font. |
Border Block 2 |
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0.6 |
15 |
0.9 |
22 |
AD |
All upper case letters in a two-color block. |
Font Pack #5: |
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Helvetica Small |
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0.3 |
8 |
1.0 |
25 |
CJ |
Perfect for a very small size block font and writing text. |
City Script |
|
0.3 |
8 |
0.8 |
20 |
CJ |
Slanted modern script great for larger size letters. Slant can be removed with Hatch’s ‘slant’ feature by reducing to less than zero. |
Dauphin |
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0.6 |
15 |
1.2 |
30 |
CJ |
Perfect fancy block style and great for special occasion gifts. |
Font Pack #6: |
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3D Block2 |
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0.7 |
18 |
0.9 |
22 |
AD |
Block fonts are the most popular font style when using puffy foam. Perfect for backpacks, sports bags, caps. Use 2-3mm puffy foam with this font. This font will stitch as digitized, without closest join, to preserve the look. |
3D Brush Script |
|
0.8 |
20 |
1.0 |
25 |
AD |
Brush Script provides a handwritten feel with the artistic flair of brush and ink. 2mm foam recommended with this font. This font will stitch as digitized, without closest join, to preserve the look. |
3D Monoglyceride |
|
0.7 |
18 |
0.9 |
22 |
AD |
Bold, upright, sans serif, rounded. When you need a block look but want something a little more modern, try using Monoglyceride font. Use 2-3mm puffy foam. This font will stitch as digitized, without closest join, to preserve the right look. |
Font Pack #7: |
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Advent |
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0.3 |
8 |
0.8 |
20 |
CJ |
Great to use for wall art and backpacks. This is a medium size font and should not be used above 2 inches (50mm) unless you turn on Auto Split or Embossed Satin. |
Kabel |
|
0.3 |
8 |
1.0 |
25 |
CJ |
Gives you a book print look. It’s readable at a small size of 0.25 inches (6mm). It looks great when used with the circle baseline to give a curved look to your project’s lettering. |
Swiss Run Hollow |
|
1.0 |
25 |
4.0 |
100 |
AD |
Upper case only, this font is great for a hand-stitched look. Works well with larger lettering up to 4 inches (100mm). In order to retain the hand-stitched look, should be stitched ‘as digitized’ and not as ‘closest join’. This font is fun to break apart in Creator or Digitizer product levels and play with adding different outlines and multiple colors. |
Font Pack #8: |
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Locker |
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0.4 |
10 |
0.6 |
15 |
CJ |
Works well when stitched in white-on-black to give a blackboard and chalk look. Great for short phrases and wall art. The maximum recommend height prevents satin stitches becoming too wide. |
Victorian |
|
0.3 |
7 |
0.6 |
15 |
CJ |
A great font for that ‘vintage’ look. Combines well with mixed font types. Perfect for simple signs, wall art, and single name projects. Try using a larger first letter for a different look. |
Western Serif |
|
0.25 |
6 |
0.8 |
20 |
CJ |
This is an upper case font and combines well with sans serif block fonts. It has bold satin serifs that give it a classic look in many styles. |
Font Pack #9: |
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Capsule |
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0.4 |
10 |
2.0 |
50 |
CJ |
Easy to read when using all caps or upper and lower case mixed. Great for wall art and sayings and sign art. |
Drake |
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0.5 |
12 |
2.0 |
50 |
CJ |
Think of this style as ‘lively and fun’. It has a little slant and a wider range for height. |
Yama |
|
0.25 |
6 |
1.2 |
30 |
CJ |
This is one of the most popular fonts in both embroidery and print. It’s a beautiful block font with a wide size range. |
Font Pack #10: |
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Lila |
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0.5 |
12 |
1.2 |
30 |
CJ |
Short height with capital letters that are a bit funky. You’ll enjoy using this font that is a little on the heavy side and still readable. |
Python Script |
|
0.8 |
20 |
1.4 |
35 |
CJ |
A little on the vintage side, but quite modern, this font is great to use when you want a slight calligraphy look. |
Vivid Script |
|
0.5 |
12 |
1.4 |
35 |
CJ |
Bright, bouncy and glowing is how we describe this font. Looks good at ½"–2". |
Font Pack #11: |
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3D Foam Emphatic |
|
1.2 |
30 |
1.4 |
35 |
AD |
This font recalls the kind used with handwritten crossword puzzles. It makes nice bold block fonts when used with foam. |
3D Foam Futuro |
|
0.6 |
15 |
0.7 |
18 |
AD |
To get that stencil look, this is the font to use. |
3D Foam London |
|
0.8 |
20 |
1.0 |
25 |
AD |
Clean lines, yet with a sophisticated look, this is what you’ll get with the London font when combined with foam. |
3D Foam Sofachrome |
|
0.4 |
10 |
0.5 |
12 |
AD |
Want that ‘techno’ look? This font will give you just that when stitched out with foam. |
Font Pack #12: |
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Script Love |
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0.8 |
20 |
1.4 |
35 |
CJ |
Large letters for towels, robes and baby blankets. |
Script Union |
|
1.2 |
30 |
1.4 |
35 |
CJ |
Medium sized letters for a personalized touch. |
Script Wisdom |
|
0.6 |
15 |
0.7 |
18 |
CJ |
Smaller letters for initials for sentimental markings. |
Font Pack #13: |
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Mono Contour |
|
1.6 |
40 |
3.2 |
80 |
AD |
This is a narrow font that has single run decorative shadow lines, giving a calligraphic look to the letters. |
Mono Fuchsia |
|
1.6 |
40 |
1.7 |
43 |
AD |
This satin font has a decorative swirl with an outline flower. Great for monograms. |
Mono Swirl |
|
1.2 |
30 |
2.0 |
50 |
AD |
This font has swirls in the background of the upper case letters. Great for monograms. You can use this up to 50mm. |
Font Pack #14: |
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Bonbon |
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0.4 |
10 |
0.8 |
20 |
CJ |
This font has a curved edged box style. Great for futuristic look. |
Circulate |
|
0.4 |
10 |
1.0 |
25 |
CJ |
Great for fun and playful sayings. |
Indigo |
|
0.4 |
10 |
0.7 |
18 |
CJ |
Fluid but clear style. Great for soft futuristic look. |
Font Pack #15: |
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Informal |
|
0.25 |
6 |
0.4 |
10 |
CJ |
A bold font in all capital letters that can be used at a small sizes down to 6mm. Remember to increase letter spacing at smaller size ranges. |
Lazer |
|
0.25 |
6 |
0.7 |
18 |
CJ |
Use for children’s and school projects. Give that look of outer space. |
Sofachrome |
|
0.16 |
4 |
1.4 |
35 |
CJ |
Gives you a modern headliner look. It can be use at small heights down to 4mm. Remember to increase letter spacing at smaller size ranges. |
Font Pack #16: |
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Bravo |
|
0.5 |
12 |
1.6 |
40 |
CJ |
A decorative look with an organic feel. Flared stroke at the ends works well when using a 15° slant. |
Goudy Sans |
|
0.3 |
8 |
0.7 |
18 |
CJ |
This font works well up to 40mm. Use where you want taller letters but keeping a narrow satin look. I has a comic feel. |
Legal Block |
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0.25 |
6 |
0.8 |
20 |
CJ |
The name says it! All caps where you want that traditional block look. |
Font Pack #17: |
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Handel Gothic |
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0.3 |
8 |
0.7 |
18 |
CJ |
Clean and consistent flowing font. Use for titles, names where you want a bold medium size look. |
Impress |
|
0.3 |
8 |
0.8 |
20 |
CJ |
Versatile font. Works at small size as small as 7-8 mm on many fabrics. Easy to read and a favorite to use. |
Monoglyceride Bold |
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0.4 |
10 |
0.6 |
15 |
CJ |
The lowercase letters are taller than the average font but still shorter than the uppercase. Bold and easy to read. |
Font Pack #18: |
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Agatha |
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0.4 |
10 |
0.8 |
20 |
AD |
Gives projects a handwritten look. |
Pixie |
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0.5 |
13 |
1.0 |
25 |
CJ |
Looks like it was drawn by hand using a thick marker. Use for children’s and fun projects. |
Thriller |
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0.6 |
15 |
0.9 |
23 |
CJ |
This font is quite ‘chilling’. Use for a hand-drawn appearance. Great for Halloween projects. |
Font Pack #19: |
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Columbo |
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0.4 |
10 |
0.7 |
18 |
CJ |
Great to use for children’s projects. |
Monoglyceride |
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0.4 |
10 |
1.2 |
30 |
CJ |
Lower case letters are taller than the average font but still shorter than the uppercase. Semi-bold and easy to read. |
Toon |
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0.4 |
10 |
0.6 |
15 |
CJ |
Works well for medium sized fonts where you want a bold look but keep the text small and easy to read. |
Font Pack #20: |
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Gaelic |
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0.4 |
10 |
1.0 |
25 |
CJ |
Use to give that edgy look used in medieval manuscripts. |
Olivia |
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0.3 |
8 |
0.8 |
20 |
CJ |
Looks good in small sizes. |
Viking |
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0.4 |
10 |
0.8 |
20 |
CJ |
Good for logos, wall art and creative projects. |
Font Pack #21: |
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Free Style |
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0.4 |
10 |
0.8 |
20 |
CJ |
Give a handmade uneven brush writing look to your projects. |
Pageant |
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0.6 |
15 |
2.0 |
50 |
CJ |
Also looks good when using a slant. |
Westminster |
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0.4 |
10 |
0.7 |
18 |
CJ |
Looks good as single line or multiple line text. |
Font Pack #22: |
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Discoteque |
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0.6 |
15 |
1.6 |
40 |
CJ |
Use when you want to 70-80s disco look. |
Futura Outline |
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0.6 |
15 |
1.2 |
30 |
CJ |
Great for logos when you need a bold look without all the stitch count. |
Outline Block |
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0.7 |
18 |
1.4 |
35 |
CJ |
Use for medium height lettering. |
Font Pack #23: |
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Cecilia |
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0.4 |
10 |
1.0 |
25 |
CJ |
Perfect for single name projects when you want a bold script. |
Karin Script |
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0.4 |
10 |
0.8 |
20 |
CJ |
Use for special occasions or to give that elegant look. |
Western |
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0.4 |
10 |
0.8 |
20 |
CJ |
Works well for medium height lettering. |
Font Pack #24: |
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Centurion |
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0.7 |
17 |
1.4 |
35 |
CJ |
Looks good with multiple lines of text that is at least 17mm tall giving a British look. |
Civic |
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0.4 |
10 |
1.4 |
35 |
CJ |
Works for many situations. This font looks great with a 15 degree slant. |
Wild West |
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0.4 |
10 |
1.0 |
25 |
CJ |
Fun to use for signs, saying, wall art. |
Font Pack #25: |
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Krone |
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0.3 |
8 |
0.7 |
18 |
CJ |
Use if you would like to have a hand lettering look from the early 20th century. Can be used in small text at least 8mm. |
Lorenne |
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0.8 |
20 |
1.2 |
30 |
CJ |
Use for weddings, invitation, quotes and logos. |
Matrix |
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0.4 |
10 |
0.8 |
20 |
CJ |
Use for wall art, name displays, and monograms. |